Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.
CONTRIBUTORS
Editor’s Letter
SEATING CHART • Your table is ready
Skeleton Crew • Max Andrews considers Teresa Solar Abboud’s haunting installation as her exhibition opens at Lehmann Maupin, London
Lived in Bars • Play: The paintings of Salman Toor – on view at the Courtauld Gallery – reckon with queer vitality and loneliness
Scavenger Hunt • Play: Jill Magid probes the absurd networks of power undergirding the US government
Social Climbers
Unspeakable World • Play: How Ryan Gander’s transdisciplinary practice taps into the unstable and unknown
New Action Stars • Play: For Wakaliga Uganda, Hollywood tropes become vehicles for re-imagining African sovereignty
After Susan • On the occasion of Susan Hiller’s survey at KW in Berlin, novelist Lynne Tillman elegizes her late friend
‘Painting allows me to work subconsciously, while also engaging with the real world.’ • Interview: Marking the opening of her exhibition at Hauser & Wirth London, Lorna Simpson speaks with Zoë Hopkins about archives, materiality and the ideas that underpin her collages
Urban Island • Dossier: As Cubitt Gallery navigates the loss of its long-term home, Polly Staple, Amal Khalaf, Nicole Wermers and Michelle Cotton reflect on the co-operative’s vital role in London’s creative scene
Amar Kanwar • Profile: Ahead of his Serpentine exhibition, the artist considers how ambiguity and ‘half-stories’ can resist a world increasingly shaped by violence and authoritarianism
SPECTACULAR SOCIETY • Contemporary artists are fascinated by the theatre. Does the stage represent an escape – or an impasse?
Asia Pacific
Europe
Americas
Manifesta 16 • Various venues across the Ruhr region, Germany
Mooni Perry
Tanya Lukin Linklater
Thoughts in No Particular Order, Given the Circumstances
Shuang Li
Labouring Bodies
Hannah Perry
Asad Raza
Suleman Aqeel Khilji
Leah Dixon
Reggie Burrows Hodges
The Way We Live Now • The George Economou Collection, Athens, Greece
Yein Lee
Vibeke Tandberg
Lindsey Mendick • A slowed-down version of Patience and Prudence’s ‘Tonight You Belong to Me’ (1956) plays on loop in Carl Freedman Gallery. This unsettling song sets the tone for Lindsey Mendick’s solo exhibition ‘Where You End and I Begin’, which charts the experience of long-term love from its honeymoon period through a clinical dissection, before ending in full-blown psychological and body horror.
Andrew Heard
Mandy El-Sayegh
Japanese Women Photographers: From 1950s to Now
Roy Claire Potter
Chitra Ganesh
Pope.L
Rara
Marilou Schultz
2026 Medina Triennial • Various venues, Medina, USA
Dancing the Revolution: From Dancehall to Reggaetón • Museum of Contemporary Art Chicago, USA
Arch Connelly
John Sparagana
Oliver Osborne
Vivian Caccuri
Youth Palace: or, some small acts of self-making • Rockbund Art Museum, Shanghai, China
TECHNO WORLDS – FINAL SAMPLING • Power Station of Art, Shanghai, China
Threads of Kinship • The He Art Museum, Foshan, China
Isaac Chong Wai
Postcard from Skiathos • Out of Office: Voyaging in the simulacra