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Caught Stealing

Audiobook
1 of 1 copy available
1 of 1 copy available

It's 3,000 miles from the fields of glory, where Henry "Hank" Thompson once played California baseball, to the Lower East Side of Manhattan, where the tenements are old, the rents are high, and the drunks are dirty. But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed. It begins when Hank's neighbor Russ has to leave town in a rush and hands over Bud in a carrier. But it isn't until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn't know what it is, where it is, or how to make them understand he doesn't have it.

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    • AudioFile Magazine
      It took little more than a decade or so for teen baseball star Hank Thompson to become "Sailor," an alcoholic bartender in lower Manhattan. Paul's Place, the bar where he works, is as seedy as the neighborhood that surrounds it. But this is the life Hank has embraced. Then things begin to go downhill when he agrees to care for his neighbors' cat. Narrating in the first person, reader Christian Conn becomes Hank and completely captures the tone and texture of this novel's people and places. From melancholy mom to crooked cop, Conn's narration projects the problems of Hank and his friends. However, this outstanding work is not for everyone. Liberally laced with street talk, the story could be too much for some. T.J.M. ¥¥¥ (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      March 15, 2004
      There's no end to Hank Thompson's troubles. Once a star high school baseball player, he's now reduced to tending bar at a neighborhood dive on Manhattan's Lower East Side. During his long life-skid, Thompson has picked up a drinking problem, a pair of bad feet, lots of debt and little ambition. But for Thompson, hero of Huston's dark, hard-driving debut, the worst is still ahead. It begins when Thompson agrees to cat-sit for his neighbor, a dubious character named Russ. Within a few days, Thompson is ambushed by a pair of Russian thugs who beat him so badly he has to have a kidney removed. While he's recovering, he discovers a key tucked under the liner of the cat's carry box. This turns out to be a crucial bit of information, as he realizes when the Russians return, led this time by a dirty police detective, and demand to know what Russ left with Thompson besides his cat. When they're spooked by a fire alarm, Thompson escapes long enough to get his hands on the stash everyone's after: $4.5 million in cash. But of course, his troubles aren't over. Bodies pile up at a dizzying rate but the mayhem is riveting, despite a few credibility gaps. Huston shows a masterful command of first-person narration, deftly chronicling Thompson's gradual slide from victim to avenger ("I'm tellin' you, Hank, watchin' you, it's like watchin' a egg get all hard-boiled. No shit"). The story moves with the speed of the best chase novels, and Thompson possesses a self-deprecating spirit that will keep readers rooting for him even as he edges closer to the point of no return.

    • Publisher's Weekly

      April 26, 2004
      Except for her name—Jacqueline Daniels (and, yes, she's known by her colleagues at the Chicago Police Department and by her friends as "Jack Daniels")—there's not an original trope in this competent, fast-paced thriller by newcomer Konrath. A lieutenant investigating a particularly gruesome series of homicides, Daniels is like every other hard-boiled fictional cop—obsessed with work, afraid to commit emotionally and overcaffeinated. The other characters also follow formula: her partner is an overweight glutton with a heart of gold; her boss is tough but fair; the federal agents assigned to help her are territorial, superior and ineffectual. And the criminal himself, a serial killer who calls himself the "Gingerbread Man," only differs from others of his ilk in his methodology, not his psychology. He tortures and kills attractive young women, leaving their mutilated bodies in public places. Konrath, who has "performed improvisational comedy" according to his bio, likes to toss off one-liners, and while they're occasionally clever, they lend a jokey tone that jars with the seriousness of the almost gratuitously horrific crimes. Reading like an ill-conceived cross between Carl Hiaasen and Thomas Harris, this cliché-ridden first novel should find a wide audience among less discriminating suspense fans. Agent, Jane Dystel. (June 2)

      Forecast:
      Blurbs from Andrew Vachss and a host of other names, plus an eight-city author tour, should ensure a strong start.

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