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Touch and Go

A Memoir

Audiobook
1 of 1 copy available
1 of 1 copy available
At nearly ninety-five, Studs Terkel has written about everyone's life, it seems, but his own. In Touch and Go, he offers a memoir that—embodying the spirit of the man himself—is youthful, vivacious, and enormous fun.


Terkel begins by taking us back to his early childhood with his father, mother, and two older brothers, describing the hectic life of a family trying to earn a living in Chicago. He then goes on to recall his own experiences—as a poll watcher charged with stealing votes for the Democratic machine, as a young theatergoer, and eventually as an actor himself in both radio and on the stage—giving us a brilliant and often hilarious portrait of the Chicago of the 1920s and 1930s. He tells of his beginnings as a disc jockey after World War II and as an interviewer and oral historian—a craft he would come to perfect and indeed personify. Finally, he discusses his involvement with progressive politics, leading inevitably to his travails during the McCarthy period, when he was blacklisted and thrown out of work despite having become by then one of the country's most popular television hosts.


Fans of Studs Terkel will find much to discover in these remarkable reminiscences. Others will be captivated to learn of the unique and eclectic life of one of America's greatest living legends.
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    • AudioFile Magazine
      In Studs Terkel's memoir, reader Norman Dietz doesn't try to emulate the author. He becomes him. He doesn't try to imitate Terkel's gravelly voice, but his tone and timing are similar enough that only listeners well acquainted with the author will ever guess it's not Terkel doing the reading. Terkel is a master storyteller, and this shows clearly in his memoir. He takes us back to his childhood in New York and Chicago, the Roaring '20s, the Depression, his work in the theater, and his life in journalism and politics. Dietz interprets these stories with the conversational tone of a polished raconteur. A warning, though: This seamlessness in the storytelling makes it hard to find a natural place to turn off the book. Some problem, huh? R.C.G. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      Starred review from August 27, 2007
      After a lifetime of interviewing others, Terkel finally turns the tape recorder on himself. At least, that's what he would have us think. Terkel's memoir is more a medley of all the extraordinary characters he's encountered through his career, from the adult loners of his youth in Chicago's Wells-Grand Hotel, to New Deal politicians. Terkel details his long journey through law school, the air force, theater, radio, early television, sports commentary, jazz criticism and oral history. Surprisingly, a 12-time author who has built a career on emerging media is a hopeless Luddite. Unskilled with his tape recorder, the bread and butter of an oral historian, Terkel modestly attributes his knack for getting people to open up about their lives to his own “ineptitude” and “slovenliness.” This memoir, however, is a fitting portrait of a legendary talent who seeks truth with compassion, intelligence, moxie and panache. Never one to back down from authority, Terkel cracks jokes in law school classrooms and filibusters FBI visits by quoting long passages from Thoreau and Paine. He pogos between decades, reminding the reader that knowing history doesn't mean memorizing chronologies so much as it does attending to the lessons and voices of the past. He laments the “national Alzheimer's” afflicting this country, and fears the consequences if we don't regain consciousness. Americans might get to know their collective past a lot better if all history lessons were as absorbing and entertaining as this one.

    • Publisher's Weekly

      Starred review from January 28, 2008
      In a match made in heaven, one of the world's great raconteurs and journalists has written his second memoir (a loosely organized stream-of-consciousness remembrance) and turns to one of the most recognizable voices in audiobooks to read it. Studs Terkel, still hard at work in his 10th decade, remembers his childhood in the rip-roaring Chicago of the 1920s and 1930s, his favorite screen stars and his awakening to politics. Norman Dietz takes delight in each word, rolling them over his tongue as if the memories were his own and the pleasure personal. Terkel's book is not strong in the organization department, but what it lacks in order it makes up for with verve. Dietz follows Terkel's lead, depending on enthusiasm to carry the day. Considering the respective skills of author and reader, it should come as little surprise that it does. Simultaneous release with the New Press hardcover (Reviews, Aug. 27).

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