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Shy

The Alarmingly Outspoken Memoirs of Mary Rodgers

Audiobook
1 of 1 copy available
1 of 1 copy available

"The memoirs of Mary Rodgers―writer, composer, Broadway royalty, and "a woman who tried everything."


"What am I, bologna?" Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman.


Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent's overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School.


But in telling these stories―with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times―Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible―and then some.


Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don't make anymore―and never did. They make themselves."

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    • Publisher's Weekly

      Starred review from May 23, 2022
      In this rollicking posthumous memoir, composer and writer Rodgers (1931–2014) revisits the highs and lows of her life and career. Enriched with droll commentary from Green, chief theater critic for the New York Times, Rodgers’s narrative takes readers from her affluent yet stifling childhood—as the daughter of American composer Richard Rodgers and a mother whose “idea of a daughter,” Rodgers writes, “was a chambermaid crossed with a lapdog”—to her years of wild success in the ’50s and ’60s on Broadway and beyond. While her challenging relationship with her mother runs as a constant thread throughout, Rodgers looks back, more fondly, on her six pregnancies (“I loved being pregnant.... More than I loved writing music, if I’m honest”) and her accomplishments, including her first musical, Once Upon a Mattress (1959), starring Carol Burnett—“If you don’t know who Carol Burnett... is,” hectors Green, “you’re definitely not reading this book”—and her 1972 runaway hit novel, Freaky Friday. Of the decades-long success of Once Upon a Mattress, Rodgers cheekily proclaims, “Some people have a medley of their hits; I have a medley of one.” It’s this playful, self-deprecating humor that makes Rodgers’s stories sing, and fans are sure to delight in every witty detail. This has major star power.

    • AudioFile Magazine
      Christine Baranski brings intelligence, energy, and impeccable timing to her narration of this tell-all memoir. She gets Mary Rodgers's flighty, self-referential tone and intensively candid style. Mary is the daughter of Richard Rodgers, the renowned co-creator of hit Broadway musicals such as THE SOUND OF MUSIC, and an icy decorator mother who "loved but didn't like" her. She wrote one successful musical, ONCE UPON A MATTRESS; hundreds of songs; and the kids' book FREAKY FRIDAY. She also worked with Leonard Bernstein and had a lifelong friendship with Stephen Sondheim. The mother of six and philanthropist is proudly sexually liberated and an admitted snob in addition to being witty, self-effacing, and a fine storyteller. Coauthor Jesse Green delivers the audiobook's notes and supplies commentary and an insightful epilogue. A.D.M. © AudioFile 2023, Portland, Maine
    • Library Journal

      December 1, 2023

      New York Times theater critic Green offers an extensively annotated compilation of the no-holds-barred memoirs of composer and writer Mary Rodgers (1931-2014). As the daughter of Broadway composer Richard Rodgers (of Rodgers & Hammerstein fame), Mary had a front-row seat to the New York theater scene. Rodgers herself is best known for her musical compositions for 1959's Once Upon a Mattress and 1966's The Mad Show, in addition to her 1972 YA novel Freaky Friday. Seen through the lens of her artistic endeavors, her boldly comprehensive memoirs span from her parents' marriage in the early 1900s through the mid-2010s. Rodgers briefly touches on her songwriting experience but focuses heavily on her life's journey, with its complex relationships, two marriages, six children, and career feats and failures. No topic is off-limits, and few are spared her biting critique. Emmy and Tony Award winner Christine Baranski shines as narrator, fully encapsulating Rodgers's brashness and honesty. Opposite her, and equally witty, is author Green, who narrates the footnotes. Their rhythm and fluidity create conversational transitions between the memoirs and the footnotes. VERDICT For musical theater enthusiasts, historians, and those interested in the Rodgers family legacy. Share, too, with fans of Baranski's work.--Kym Goering

      Copyright 2023 Library Journal, LLC Used with permission.

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